The phrase “retro commie chic” was likely coined by Glenn Collins of the New York Times.
Collins’ article about Greenwich Village’s K.G.B. Bar appeared in 1998; in the years since, the place has become a literary hub. According to a dining guide put out by New York magazine, “Today, the red menace congregates here—if graduate-level Marxist theoreticians can be considered ‘reds,’ that is.” The bar offers 40 kinds of vodka. Nazi stylishness, with 40 kinds of schnapps, would be an abomination to everyone. Nostalgia for left-totalitarianism (or at least the look of it) on the other hand exerts a lurid kind of attraction.
Why? The Cold War’s length, and its having ended rather anticlimactically, have to be part of the reason. At any rate, what Fredric Jameson called “old-fashioned political art of the socialist realist type” captivated the production designers and graphic artists of 2014.
The Interview. Communist regimes still exist; as vestiges of an earlier time, they become candidates for camp. Former NBA star Dennis Rodman’s cultivation of North Korea’s dictator was no doubt the germ of this film. It’s too long and James Franco can’t do comedy. But yes, we have to stand by it given Kim Jong Un’s actions.
Baltimore Symphony Orchestra handbill. Last month, the BSO wanted to draw the public to Didi Balle’s “symphonic play” about Dmitri Shostakovich and his effort to survive the Stalin regime, while also opposing it. Since the piece is anticommunist, the use of a smiling Uncle Joe as, literally, a poster boy is confusing to say the least. Imagine promoting a night of music by the composer Wilhelm Furtwängler (whose ambiguous relationship with the Third Reich is somewhat comparable) with advertising that had one of those kindly-Adolf-Hitler-petting-a-dog photos.
Cookbook. (Cheating a little, it’s from 2013.) Imagine a major publisher like this one putting out “Mastering the Art of Nazi Cooking.”
A funny thing happened on the way to the Gulag. Tina Fey and some movie zeks, in Muppets Most Wanted.